What does it really take to produce a podcast?
In this special solo episode of We’re Not Stumped, I’m taking you behind the scenes to share how the podcast started, what happens before and after every interview, and the lessons I’ve learned from producing more than 200 episodes.
I’ll talk about:
- Why I decided to start the podcast
- How I find and prepare guests
- My recording setup and workflow
- Editing
- What I’d do differently if I were starting today
- Advice for anyone thinking about launching their own podcast
Whether you’re interested in podcasting, storytelling, or simply curious about what goes into creating We’re Not Stumped, I hope this episode gives you a new perspective—and maybe the confidence to start your own show.
If you’ve ever thought, “I’d love to start a podcast someday,” this episode is for you.
👍 If you enjoyed this episode, please like, subscribe, and share it with someone who’s thinking about starting a podcast.
Listen to We’re Not Stumped:
🎙️ Apple Podcasts:
https://podcasts.apple.com/us/podcast/were-not-stumped-survival-stories-disability-stories/id1645391196
🎙️ Spotify:
https://open.spotify.com/show/4WRO036LT2RLl6ZM8PmSZk
🌐 Website:
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Post-amputation pain can be debilitating, but a new treatment called hydrodissection is showing promise in providing relief. In this episode of We're Not Stumped, we explore this groundbreaking therapy and its potential to improve the lives of amputees. Hydrodissection is a relatively new and promising treatment for post-amputation pain, particularly for neuroma-related pain and phantom limb pain. Here’s how it compares to other common pain treatments for amputees. Mike Bolland also shines a spotlight on Infinite Dance Flow, an inclusive dance company that is redefining what it means to move, featuring dancers of all abilities.
In this episode of the We're Not Stumped podcast, host Mike Bolland welcomes Allison Sweet Grant, author of I Am The Cage, a powerful novel inspired by her own medical experiences. Allison shares her journey of undergoing the Lizarov limb-lengthening procedure as a teenager and how those experiences shaped her writing. Like her protagonist Elisabeth, Allison grappled with feelings of isolation, a lack of agency, and the struggle to be heard in a confusing healthcare system. She opens up about translating her personal trauma into fiction, creating a character who faces her own battles with bodily autonomy and self-forgiveness.
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